Landscape as Document and Thing of Beauty

Landscape photography began as a document, with early photographers wanting to show their audiences what a place looked like. While the camera verifies aspects of reality, it can also express the artistry of the person holding the camera. Oftentimes a landscape picture becomes a thing of beauty, particularly if the hotographer is sensitive to the conventions of landscape painting. Through the use of light, composition, timed exposures, and development, we see not only the details of a particular place, but how it felt for the photographer to be there.

Funding for this project was provided by a grant from the National Endowment for the Arts and a donation from PhotoWings.