South
African artist Gary Schneider has long been fascinated with the
possibilities of photographic portraiture to explore issues of
identity. FLESH includes his John in Sixteen Parts, a set of black-and-white
fragments of his partner’s face seen through time; Genetic
Self-Portrait, his installation, which employs medical-imaging
techniques to depict his own body from the inside out; and Heads
and Nudes, where Schneider uses exposures of up to three hours
to explore and transform the flesh of friends and family.